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The Latest Breaking News from Arthur Miller

Marianne Jean-Baptiste: ‘I’d work for Mike Leigh again in a heartbeat – in fact, I’ll pay him!’

The actor moved to LA 22 years ago. Now she’s back in the UK to star alongside Bryan Cranston in All My Sons. She talks about the frightening rehearsal schedule, how she’d work again with Mike Leigh in a heartbeat, and why she’s taking up boot-making

The Guardian - UK

Elizabeth Franz dead at 84

Elizabeth Franz, the Tony Award winning actress – who was best known for her role in the 1999 Broadway revival of Death of a Salesman - has passed away at the age of 84 following a battle with cancer.

BANG Premier

Elizabeth Franz's Death Highlights Broadway's Struggle to Preserve Its Legends Beyond the Stage

Tony Award-winning actress Elizabeth Franz has died at 84. Her legacy raises questions about how Broadway preserves its legends in a world dominated by film and television.

International Business Times UK

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Ivo van Hove’s All My Sons extends the UK’s special relationship with Arthur Miller

In his first major hit play, now receiving another starry revival, the celebrated dramatist’s analysis of the American psyche is steeped in European tradition

The Guardian - UK

Bryan Cranston says military veterans deserve more help to re-enter society

The US actor stars in Arthur Miller’s play, All My Sons about

Evening Standard

‘He was left for dead’: Inside Apple TV’s incisive new Martin Scorsese docuseries

INTERVIEW: The peerless American filmmaker is the subject of an expansive new documentary series. Louis Chilton speaks to the director of ‘Mr Scorsese’, Rebecca Miller, about the life and work of a true giant

The Independent UK

Susan Sarandon, Whoopi Goldberg and Caliban’s take on The Tempest: the best theatre, comedy and dance of autumn 2025

Andrea Riseborough and Sarandon deliver a decade-hopping drama, superstar standups hit the road and Shobana Jeyasingh rewrites Shakespeare

The Guardian - UK

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Drink it up! All 21 Daniel Day-Lewis films – ranked

The triple Oscar winner has retired from the profession twice – and returned twice. Ahead of Anemone, directed by his son Ronan, we gorge on Day-Lewis’s back catalogue

The Guardian - UK

Dexter Boss Offers Thrilling Update About The Trinity Spinoff, And Now I Need This Show ASAP

One good Dexter spinoff deserves plenty others.

Cinemablend

‘Artists struggled to survive’: the devastating impact of blacklisting Americans

A new exhibition looks back at the ‘anti-communist’ witch-hunt that affected many Americans, in particular the Hollywood Ten

The Guardian - US

The Crucible review – Miller’s resonant tale of terror given radical sense of humour

Director Ola Ince brings absurdist comedy to Arthur Miller’s classic drama of Salem witch-hunting

The Guardian - UK

The Crucible at Shakespeare’s Globe: 'classic study of hysteria and herd behaviour'

3/5 The Globe take on Arthur Miller’s endlessly relevant play with broad strokes

Evening Standard

Abuse, witch-hunts and hangings: why Arthur Miller’s masterpiece The Crucible still haunts us

What’s behind all the revivals of the shocking parable about terrifying McCarthyism in 1950s America? Our writer reflects on how, through the decades, each fresh production finds new meanings that address our times

The Guardian - UK

Paul Mescal headlines National Theatre’s bold new season as Stormzy debuts for ground-breaking collaboration

The theatre unveils ambitious global vision with 16 new productions, including Mescal’s double debuts and a Stormzy-powered musical

Evening Standard

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The Guardian - US

John Proctor Is the Villain review – smart and snappy high school comedy

Stranger Things star Sadie Sink takes the lead in a wonderfully written new Broadway show about high schoolers grappling with hot potato issues in 2018

Evening Standard

Big Stars take over the West End again as Bryan Cranston and Marianne Jean-Baptiste lead Arthur Miller classic

Breaking Bad star and Oscar winner jo9in powerhouse cast for revival of All My Sons - tickets set to sell-out fast

The Conversation

The Glass Menagerie: the haunting beauty of Tennessee Wiliams’ play endures in this Sydney revival

Tennessee Williams (1911-1983) is widely regarded as one of America’s greatest playwrights. A prolific and unabashedly autobiographical writer, Williams’ career spanned four decades of the 20th century.

The Guardian - UK

Death of a Salesman review – Arthur Miller’s timeless tale of a small man crushed by big dreams

A fine cast capture the emotional damage and inarticulate anger at the lie they have all been sold in this taut no-nonsense production

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The Guardian - UK

A View from the Bridge review – thrilling update pulls no punches

Jemima Levick’s superb production sets Arthur Miller’s tale of family, immigration, poverty and passion in the modern-day Brooklyn docks

BANG Premier

Jeremy Piven has 200k of jewllery stolen

Jeremy Piven had $200,000 worth of jewellery stolen from his house last week.

The National (Scotland)

Touring stage show 'wonderful opportunity' for Scottish talent, says David Hayman

ONE of the greatest plays of the twentieth century is set to tour the UK with a full Scottish production team as leading actor David Hayman says it…

BANG Premier

Jeremy Piven's mother Joyce has died

Jeremy Piven is mourning the death of his mother Joyce Piven.

The Guardian - UK

The Daring Young Man on the Flying Trapeze by William Saroyan review – vividly crafted Depression-era tales

The US author’s debut collection from 1934 focuses on impoverished individuals in precarious times using language that is punchy and full of compassion

The Guardian - UK

Too much theatre memorabilia is being lost to private collectors, says David Hare

As hundreds of personal effects belonging to playwright John Osborne go up for sale, Hare laments that the V&A is not bidding

The Guardian - UK

Here in America review – Miller and Kazan test the bonds of friendship in McCarthy-era witch-hunt drama

Orange Tree theatre, LondonDavid Edgar’s play on the anti-communist Hollywood witch-hunts of the 1950s is clunky in its set-up, but offers a lively take on the personal politics of art and ideology

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