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The Latest Breaking News from MusicRadar

“Was Courtney impossible, difficult, a drug addict, terrifying, and even mean sometimes? Yes, she was. But it took me one second to understand that she was also a survivor”: Melissa Auf der Maur on her time in Hole and why she’s “proud” of Courtney Love

She has a memoir out this week

MusicRadar

“At least three albums with people who are a few of my favourite artists of all time... I’d say 95 percent of the work I’ve done was unpaid”: James Blake on the hit and miss nature of his production work

“You’re throwing stuff at a wall and seeing what sticks” he says

MusicRadar

"I picked up the acoustic guitar and noodled around, and Bruno was freestyling and singing along. That started the whole idea, and we were like, 'OK, this is where we go'": Why Bruno Mars' new single Risk It All could have ended up sounding very different

“Most of the other versions were more up-tempo," says co-writer/producer D'Mile

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“There’s plenty of output to use the pedal as a conventional boost with tonal options. And there’s a whole area of dirt to be explored”: JHS Pedals 424 Gain Stage review

The latest from JHS Pedals captures the sound of plugging your guitar into the input stages of a vintage multi-track recorder, aka, the mk.gee approach

MusicRadar

“I find it amazing that people are singing along in such a celebratory way about being involved in a car crash”: We speak to The Smiths’ producer Stephen Street and learn how their most beloved song came to be

There Is a Light That Never Goes Out remains one of The Smiths’ most heartbreaking songs - a near-perfect example of the potency of Marr and Morrissey’s songwriting partnership

MusicRadar

“At least I'm a record holder of something!”: Songwriter Diane Warren is out on her own as the most nominated person not to win an Oscar as KPop Demon Hunters’ Golden wins the Academy Award for Best Original Song

She's now lost out 17 times

MusicRadar

"How real can drums feel inside a plugin?": Klevgrand promises to "redefine what a drum sampler can be" with OneShot 2

OneShot 2 features a new Motion Engine designed to create phrases that "breathe and evolve" by morphing through multiple samples, such as cymbal swells, brushed textures or foley elements

MusicRadar

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"Lot after lot, we felt like we were making history”: John Lennon’s Broadway piano goes for a record-breaking $3.3 million

He used it to write A Day In The Life

MusicRadar

“We didn’t want to be the kind of band that came out with a big song and then went away. But when that song came out, it changed everything”: How Stone Temple Pilots created one of the great alternative rock anthems

Singer Scott Weiland called the track “a metaphor for a lost, obsessive relationship”

MusicRadar

“To me, it was like being asked to tour with the Beatles”: Paul Gilbert on why he turned down the gig of a lifetime – and why not maintaining his “Whitesnake haircut” was a barrier to career progression

When Todd Rundgren called and invited Gilbert to tour with him there was only one answer, even if it pained him to say it

MusicRadar

“This is actually rock music written on electronic equipment”: How to replicate the sample-based sonics of a gnarly Prodigy classic

Dissecting one of the big beat heavyweights’ most iconic bangers, and learning how to recreate its sound ourselves

MusicRadar

“When Tarantino first sent me the script I hated it. I didn’t want my music associated with that!”: Why Neil Diamond refused to have his song used in Pulp Fiction – and ended up regretting it

The legendary singer-songwriter also turned down Jay-Z

MusicRadar

“I thought Motörhead was just a load of noise, to be honest – but good noise. I’d never heard anything like it. It was like a spaceship had come down to land”: A classic interview with former Motörhead guitarist Phil Campbell, who has died aged 64

His motto: “Never interrupt an old woman playing bingo”

MusicRadar

“I understood it as a great pop song, but I wasn't sure on the very first listen as to whether I liked it or not”: How Alison Moyet and Vince Clarke bottled the sound of heartbreak with Only You

Clarke had created Just Can't Get Enough with Depeche Mode, but Only You would be his most important song

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“It would be way better if drummers weren’t reduced to nothing”: Eric Johnson on the one thing he doesn’t like about modern pop music

The Texan guitar phenom says contemporary pop has got loads going for it, but the human element from having a live drummer would be a “win-win”

MusicRadar

“Would I take this to gigs and use it with confidence, knowing that my pedals are being powered sufficiently and safely? Absolutely”: Harley Benton Spaceship Power 40-B review

The classic four-bar pedalboard with a comprehensive built-in power supply

MusicRadar

“All I hear is ‘Auto-Tune sucks’, ‘drum machines have no soul’ and ‘you can’t make hip-hop on a laptop because computers have no swing’”: Flying Lotus on the backlash against AI music – and why he's staying out of it

FlyLo weighs in on Suno and talks us through the making of BIG MAMA, a chaotic speedrun of an EP that zooms through chiptune, breakcore and jazz fusion without looping a single bar

MusicRadar

“I didn't get it at first. Then I visited my friend's studio. The way he was using it opened my eyes”: House icons Alan Braxe and Fred Falke on embracing AI in the studio

As they reissue the cult classic Intro for its 25th anniversary, the French producers tell us how they see AI reshaping sampling culture

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MusicRadar

“Loving this cover!”: Tears For Fears give Harry Styles’ performance of their biggest hit the seal of approval, but was there a more appropriate version he could have sung?

Given his love of marathon running, he might have missed a trick

MusicRadar

“I don’t think we would’ve found any success had I not written any songs or had someone else been the lead singer. Me and the fellas would’ve been playing down at a local club somewhere”: The story of a rock classic that’s now hit over two billion streams

How John Fogerty created Creedence Clearwater Revival’s best-loved song

MusicRadar

“The Matrix hack song to clear your debt and get wealthy”: Is Anita Ward’s Ring My Bell more than just a disco classic?

TikTok users are claiming that the ‘abundance frequency’ contained within the song can help you with your manifesting

MusicRadar

“I’ve spent so many thousands of hours wasted on plugins – it just doesn't matter”: Fred Again on how "getting into the weeds" with software can distract from songwriting and make you less creative

"In terms of your reverb, compressor, EQ, all these things – it doesn't matter what you choose. They're all great"

MusicRadar

“It was horrifying. All week, we were rehearsing. It was perfect. I don’t know exactly what happened”: Alex Warren on his Grammys night in-ear monitor mishap

At least Chappell Roan offered some consoling words

MusicRadar

Gibson unveils the Songwriter Recording Artist acoustics, dreadnoughts with a little bling and a top-tier build – and quite possibly the makings of a future player favourite

It would take a pretty special instrument to pull focus from the Hummingbird, Dove or J-45... And yet, these acoustics, available as a cutaway or non-cutaway, have got something special

MusicRadar

"A massive expansion of its abilities as a modulation and automation powerhouse": Bitwig Studio 6 review

This sizeable update to Bitwig Studio expands on its strengths, and locks it in as the creative sound designer’s ultimate home base

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