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The Latest Breaking News from Guitar World

“I was starting to get tired – as much as I hate to say it – of the very predictable Marshall sound”: Slash took his new favorite amp brand on the Guns N’ Roses tour without telling anyone

Slash pivoted from Marshall to Magnatone in a high profile move back in 2023

Guitar World

“I’ve had arguments with producers, who say, ‘We A to B’d the modeler blindly, and we couldn’t tell the difference.’ I’m like, ‘Well, I can hear it!’” Sully Erna is optimistic for Godsmack 2.0, and he can't wait for you to hear their new guitarist

The Gibson devotee reveals why he's feeling excited about working with new lead player Sam Koltun, discusses the photo that made him want a Les Paul, explains why he won’t use amp modelers, and tells you why you should play drums

Guitar World

“I probably have a little more facility with my fingers than my dad – but I don’t think I’m as good a songwriter as him!” Sean Lennon on too many pedals, embracing Acoustasonics, and caring for his dad’s instruments

He’s glad Yoko Ono stopped him playing John Lennon’s guitars at the age of 12, as he looks forward to touring the new Claypool Lennon Delirium album, using as little gear as he can get away with

Guitar World

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“It’s a guitar that can indeed be a singer-songwriter’s tool, or a guitar for chugging metal”: PRS SE Ed Sheeran Hollowbody I Piezo Baritone review

One of the biggest names in pop delivers a first signature electric that bridges the gap between open chords and heavy metal chugs

Guitar World

“I thought, ‘I’ll show him how to do Blackbird.’ I think he knew it better than I did!” Paul McCartney on the time he gave Paul Mescal a Beatles guitar lesson

Mescal is set to portray Macca on the big screen, which afforded him a guitar lesson with the man himself

Guitar World

“A lot of guitar players are like, ‘Oh, well, Jimmy Page was fine with that, so I guess I don’t need more fret access, or I don’t need better balance’”: Tosin Abasi on the art of designing cutting-edge instruments that keep the guitar’s core

The Kaizen – which Abasi designed in collaboration with Ernie Ball Music Man – looks to drag guitar design into a bold new future

Guitar World

"Ambitious in its vision, flawed in its execution. This might not be the guitar/bass hybrid you were hoping for": Fender Vintera III Early '60s Bass VI review

Fender's cult classic offset, beloved by The Beatles and beyond, is back and supposedly better than ever

Guitar World

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“I spent the next 45 years trying to get someone to replicate that”: John Fogerty on the long-lost amp that was the key to his Creedence Clearwater Revival tone

The unique amp packed some unusual built-in effects that can be heard across the band’s discography

Guitar World

“Bright, lively, and surprisingly loud, it projects with a clarity and presence that belies its compact footprint”: Faith Nomad Mini-Neptune Trembesi review

This scaled-down Neptune is worlds apart from some of its travel guitar competition

Guitar World

“It’s not a guitar where you grab the strings and bend them, Albert King-style. I tried twice and broke two strings!” Derek Trucks on the challenge of playing Jerry Garcia’s Tiger

The 14lbs beast needed some taming, and it taught Trucks a valuable history lesson

Guitar World

“The company disagrees with Fender’s assessment”: PRS has been hit by a cease-and-desist from Fender – bringing John Mayer’s Silver Sky into the center of the S-style legal dispute

This has now become the highest-profile case of the entire dispute, and could well be one of the most hotly contested

Guitar World

“Once John’s back in the picture, it’s like the other records don’t exist”: Why Josh Klinghoffer feels his Red Hot Chili Peppers contributions have been erased from history

As Klinghoffer embarks on a new era, the former Chili Peppers guitarist reflects on his tenure with the band and why he feels “slight disrespect” towards his legacy

Guitar World

“I will never forget looking across the sound booth in the studio and seeing Paul smiling, and I’m playing guitar to Ringo’s drums”: Ozzy Osbourne producer Andrew Watt on what it was like to play with two Beatles in the studio

Watt waxes lyrical about what it was like to add another legend to his Rolodex of rockstars

Guitar World

“Lenny Kravitz and Prince were doing American Woman. Two of my all-time favorite artists, and there they were, jamming stuff that came out of our heads”: Randy Bachman and Burton Cummings on the Guess Who’s fight to return to the stage

Bachman and Cummings talk favorite songs, cherished guitars and what it means to be back as the Guess Who after years of legal struggles

Guitar World

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Guitar World

“It felt new and exciting. You don't even have to have gain on the distortion pedal. The vibrations alone make it sound distorted”: How tuning down and jamming Eagles and Skynyrd unlocked the return of Swedish doom heroes Monolord

Neverending finds the venerable Gothenburg trio expand their sound under the supervision of Tool producer Sylvia Massy, adding light and shade to those riffs – and more guitars

Guitar World

“A pedal that leaves players saying, ‘WTF!’”: DOD and Morley team up for the triple threat Wah-ocTo-Fuzz pedal

DOD’s synthy sub-octave circuit and Morley’s wah and fuzz circuits are 2026’s most unexpected power trio

Guitar World

“I’ve been trying to prove myself constantly. When you get billed as some hotshot player, people will stand with their arms crossed as if to say, ‘Prove it’”: How Jared James Nichols took Blues Power to Dave Grohl's Studio 606 and super-sized his sound

On this year’s Louder Than Fate, Nichols is spreading his creative wings, and – with some help from a one-of-one amp made for Jeff Beck – venturing into new musical pastures

Guitar World

“I said, ‘It’s everything I need. Can I borrow it to do my demo?’ They went, ‘Let me ask Ern’”: Steve Morse on how a gear nightmare lead him to Ernie Ball – and the signature guitar of his dreams

Morse has become one of Ernie Ball’s most loyal and high-profile endorsers – and it all started with a broken volume pedal

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Guitar World

“The focus is on products that completely replicate the exact body design”: Fender is finally speaking out on its cease-and-desist strategy. We reveal the company’s endgame, how it plans to work with rivals and who it’s really going after

Fender might not be declaring war after all – but if its legal campaign succeeds, the guitar market will change forever

Guitar World

“It’s about time!” Wes Borland’s Jackson King V went from factory floor reject to Limp Bizkit icon – now it’s been released as a signature guitar

Borland’s Custom Shop V started out as a left-handed factory reject – and this signature reissue replicates it in all its glory

Guitar World

“He called and said, ‘I don’t like what’s going on with Ritchie Blackmore. I’m looking for an escape’”: That time Ronnie James Dio offered to front ’70s glam-rock outfit The Sweet

Internal disagreements led Dio to very different gig as he sought an escape from Blackmore’s Rainbow, while The Sweet were grappling with their frontman's drinking problems

Guitar World

“It's hard to overstate how influential this album was. It’s the connecting glue between me, Misha and Periphery”: How Adam ‘Nolly’ Getgood went from Sikth super-fan to playing in the band

Former bassist for Periphery, Getgood pinpoints the pickup selection and pick technique he’s been using onstage with Sikth

Guitar World

“We were heavily in debt. Either we go home, and I go work for my dad as a plumbing assistant, or we just say screw everybody”: Alex Lifeson on the Rush “protest record” that saved the band – and won them their independence

How Rush at the brink led to Lifeson, Lee and Peart crafting one of their most commercially successful records

Guitar World

“A great way to break away from the typical blues soloing sound of pentatonic scales”: How to use dominant 7 arpeggios in a blues guitar solo

Because you can't have enough exit ramps from traditional blues phrases, here's how you can use the notes of a dominant 7 chord to spice up your solos

Guitar World

“I was in Norman’s Rare Guitars in LA when I spotted the Les Paul. I played it for hours in the shop”: The unlikely fate of Big Country frontman Stuart Adamson’s ‘Peace in Our Time’ Les Paul

Bruce Watson shares the story of a guitar that encapsulates the time Big Country tried to break America – before they took their Scot rock sound to Moscow

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